SINS OF THE FLESH
November 2009 – Grand Central Publishing

Click here for more on SINS OF THE FLESH

Caterina Shaw’s only chance for survival is a highly experimental gene therapy – a risk she willingly takes. Now Caterina has new, terrifying powers and she’s been accused of a savage murder, sending her on the run. Mick Carrera is a mercenary and expert at capturing elusive prey. Yet the woman he’s hunting is wounded, vulnerable, and a mystery of medical science. Caterina’s innocent sensuality tempts Mick to show her how thrilling pleasure can be. The heat that builds between them is irresistible, but surrendering to it could kill them both.

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Want to find out a little more about SINS OF THE FLESH? Click on the links below to get a Behind the Scenes look at some of the locations in the novel as well as read some free excerpts!


Coming in October 2009

AWAKENING THE BEAST October 2009 Silhouette NocturneAwakening the Beast
October 2009
Silhouette Nocturne


A collection of sexy Nocturne Bites featuring:
Honor Calls, Return of the Beast, Mortal Enemy, Immortal Lover, Claws of the Lynx and Wilderness by Caridad Pineiro, Lisa Renee Jones, Olivia Gates, Linda O. Johnston and Barbara J. Hancock

Preorder your copy today!

Caridad’s Current Releases
FURY CALLS
March 2009
Silhouette Nocturne
Click here for more info on HONOR CALLSHONOR CALLS
February 2009
Nocturne Bite
Click here for more info on SOLDIER'S SECRET CHILDSOLDIER’S SECRET CHILD
December 2008
Silhouette Romantic Suspense
Click here for more info on MOON FEVERMOON FEVER
October 2007
Pocket Books
Click here for more info on SEX AND THE SOUTH BEACH CHICASSEX AND THE SOUTH BEACH CHICAS
September 2006
Downtown Press
Click here for more info on SOUTH BEACH CHICAS CATCH THEIR MANSOUTH BEACH CHICAS CATCH THEIR MAN
September 2007
Downtown Press


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RWA First Day!

The caravan from NJ started at 7:30 when my buddy Lois Winston came to my house. Headed down to South Jersey and changed cars to go with Rayna Vause and Melinda Cooke, two other writing buddies from Liberty States.

Made it to DC without any problems at lunch hour and started working. Had to get changed in the bathroom because the room wasn’t ready, but what the heck!

Went to a great booksellers/librarians event where I met some old friends and made new ones. It was also great to see some of my author buddies there, like Kimberly Raye Terry (check her out in this month’s Cosmo), Sue Krinard, Berta Platas, Anna Destefano, Amanda McIntyre and so many others!

Then a quick break before heading off to the Literacy Signing. It was sooo amazing to see that many authors in one spot. You could feel the energy. I was sitting by my pals Berta Platas, Barbara Pierce and Andrea Pickens. Always nice to see them as well as Allie Pleiter. We’ve been sitting together for years now at the signings.

Then it was off to the first ever RWA gathering of the Liberty States Fiction Writers. It was so nice to have both local and long distance members sit down and share meal, be able to chat about all kinds of things.

Finally, sleep. So tired after all the running around.

If you want to check out photos from the first day, please click on this link!
http://www.facebook.com/album.php?aid=2027966&id=1130005412&l=6c6b222032

More for you tomorrow!

Show, Don’t Tell

Click here for more on the Liberty States Fiction WritersBesides attending the monthly meetings of the Liberty States Fiction Writers, I have a smaller group that meets once a month at a local bookstore.

Last night we were discussing an oft-used phrase: Show, Don’t Tell.

One of my friends asked, “How do you know you are doing telling and not showing?”

My friend Anne Walradt is an expert on the subject and does a wonderful workshop on the concept. I can only offer some very basic advice and examples.

First, if you read it aloud and it sounds like a laundry list — You’re telling. An example of telling:

The alley was dark. It smelled of old garbage. There was movement at the end of the alley. It was a large man. He looked like a criminal. Fear gripped her. She ran away.

Was that interesting at all? Did you get involved in what was happening? Did you impart any of your knowledge to the scene, thereby becoming involved in the story?

If you answered “No”, then you understand what’s bad about telling rather than showing. So how you do write the above scene by showing? Here’s a shot at it:

Darkness swallowed her up as she entered the alley. Days old garbage filled a dumpster, making the air rank with the smell of decay. Shadows shifted at the end of the alley. A man stepped forward into the muted pool of light cast by a security lamp. Blue-black prison tattoos covered his arms and his face had the look of a boxer who had lost one too many fights. Her stomach clenched and a cold sweat erupted across her flesh a second before she whirled away.

A little better? Do you impart your own experience to what decay smells like? Did you wonder what the shadow was? Did the description of the man show you he was a criminal and/or trouble without telling you? How about the fear aspect? Didn’t use the word fear, but her reaction demonstrated it and you as the reader, recognized it.

That’s the biggest difference. When you show, the reader becomes involved in the story by interpreting what you are writing. With a laundry list, there’s no involvement on the part of the reader because it’s plan and simple. Of course, that does not mean that you should so confuse your reader with how you show something that they are lost.

So, that’s a very quick rundown on the concept of Show, Don’t Tell. I hope this Tuesday Tip was of help!