The cover gods have been very very good to me! Just look at the stunning front and back covers for my November release SINS OF THE FLESH. A big thanks to my publisher – Grand Central Publishing – and all involved with producing such works of art! And because its Wicked Wednesday, I’m giving you a little tidbit from SINS OF THE FLESH as well as the enticing back cover copy!
Back Cover Copy:
Caterina Shaw’s days are numbered. Her only chance for survival is a highly experimental gene treatment – a risk she willingly takes. But now Caterina barely recognizes herself. She has new, terrifying powers, an exotic, arresting body — and she’s been accused of a savage murder, sending her on the run.
Mick Carrera is a mercenary and an expert at capturing elusive, clever prey. Yet the woman he’s hunting down is far from the vicious killer he’s been told to expect: Caterina is wounded, vulnerable, and a startling mystery of medical science. Even more, she’s a beautiful woman whose innocent sensuality tempts Mick to show her exactly how thrilling pleasure can be. The heat that builds between them is irresistible, but surrendering to it could kill them both . . . for a dangerous group is plotting its next move using Caterina as its deadly pawn.
The day the music died, Caterina Shaw did as well.
Not physically, although she understood the death of her body was inevitable. She had come to terms with that reality some time ago. She had even managed to deal with the blindness caused by the tumor eating away her brain. But then the pain had become so great that it had silenced the music, stealing away the only thing that had made life worth the anguish.
“You understand this treatment is new and uncertain,” Dr. Rudy Wells explained, his voice smooth and comforting. The touch of his hand, warm and reassuring, came against hers as it rested on her thigh.
“I understand,” she said and faced the direction of that calming voice.
Another person abruptly chimed in, his tones as strident and grating as a badly played oboe. “We’ll begin with laser surgery to remove the bulk of the tumor followed by two different courses of gene therapy.”
Two? she wondered and sensed Dr. Wells’ hesitation as well from the tremble that skated across his fingers. He removed his hand from hers and said, “Dr. Edwards believes that we can not only shut down the tumor growing in your brain, but possibly regrow the portion of your optic nerve that the tumor damaged.”
Caterina’s only wish when considering the experimental treatment had been to stop the pain so that she could play her cello once again. So that her last months would be filled with the vitality her music provided.
It was through her music that she lived. That her mother lived, Caterina thought, recalling the passion she had felt as a small child when her mother had played the piano for her; the way her mother’s fingers had coaxed life from the keys much like she now did with a stroke of her bow and the deft touch of her fingers on the strings of her cello.
Or at least like she had up until the cancer had put an end to her music, bringing her life to a close. Except now she was being told something different.
Caterina had never thought about eliminating the tumor. Every prognosis so far had been that she was terminal. Now these new doctors told her not only that might she live, but that she might actually see again too. She didn’t dare believe that she would be able to get her old life back completely, as well as her sight but . . .
“You think I’ll be able to recover? To see again?” Caterina asked, needing to be sure she had understood correctly.
“The risks are great, my dear,” Dr. Wells urged gently.
“But you qualify for the human trials because of the advanced state of your illness, Ms. Shaw,” Dr. Edwards added, annoyance at his partner evident in the staccato beats of his voice.
Her advanced state which could possibly bring death even with this treatment, Caterina thought. Not that she feared her end. What she did fear was letting the pain in her head rob her of the one thing she could not live without.
She knew without hesitation that it was worth any risk to regain that part of her. To drive back the illness so she could play her cello once more and reanimate her heart for as long as she had left if the treatments couldn’t stop the tumor.
“What do you need me to do?”
Copyright 2009 Caridad Pineiro Scordato