DEATH CALLS – The Director’s Cut

DEATH CALLSJust like the process of movie editing, writing often involves various revisions and sometimes the writer’s version of a scene is changed during the editing process.

This is the first love scene from DEATH CALLS and it happens pretty early on in the story because these are two characters who have been involved for some time. The scene is in the print version, but in a shorter form, so I’m presenting you here with what I’m calling the Director’s Cut of the scene.

To set the stage — FBI Agent Diana Reyes has had lunch earlier in the day with her pregnant best friend. For some time Diana has been wondering about her love affair with Ryder Latimer and the pregnancy and her friend’s normal life brings home just how much Diana may be giving up by remaining with Ryder.

For that reason, Diana has opted to not see Ryder that night, but when Diana arrives at home, Ryder is on her fire escape. Diana is pissed off by his not respecting her wishes and begins to pay him back with a little striptease that backfires. The striptease leads to this scene.

This Director’s Cut from DEATH CALLS
is for Mature Audiences Only

“I don’t regret . . . us,” she whispered and cradled his cheek. Funny, but it was the truth despite the doubts she had been having lately. In some ways, he was her damnation and her salvation all rolled into one inexplicable package.

“Let’s not talk about this tonight,” he pleaded. “The night is short and I . . . I don’t want to spend it . . .”

Burying her head against his chest, she wrapped her arms around his waist beneath his shirt, savoring his substance.

Her embrace shook loose something inside of him.

Ryder needed to make it impossible for her to deny that this was real even though it had been born out of unusual circumstances. Meant to be, no matter how unlikely it seemed. No matter how many doubts both of them now seemed to be having.

Ryder eased her away slightly, bent and brought his lips to hers, his touch gentle and questioning at first. Beneath his lips came the soft brush of hers, almost hesitant, possibly fearful, but soon she answered his every kiss, biting and opening her mouth to him, her small body pressed close.

It was sweet torture, the feel of her breasts skimming his chest. Her warmth, slowly working its way into the cold of his body. The heat of her passion drove the chill from his skin.

He opened his mouth, invited her inside and she entered, tasting and urging him on with the movement of her mouth and of her hands at his back, clutching him.

“Ryder,” she murmured against his lips and moved her hands around to the snap on his black jeans which she quickly undid. “Come with me.”

She eased away, but grabbed hold of his hand and tugged him toward her bed. Ryder followed, pausing at its edge as she climbed into the center and lay down. At his hesitation she asked, “This is what you want, isn’t it?”

She wore her false bravado face. Funny how he could recognize it so easily. Funny how he wanted to drive the fear from her until she truly welcomed him into her bed that night. Invited him into her heart. Driven by that desire, he eased over until one small movement would be all he needed to touch her.

“Can you deny it’s what you want as well?” He didn’t give her a second to answer as he brought his hand to her breast. Rubbed his thumb across the straining tip. As she sucked in a rough breath, he smiled, satisfied, and lowered his mouth to her. He licked the very tip and she moaned, cupped the back of his head and drew him down the rest of the way so that they were lying together.

Diana nearly bolted off the bed as he suckled more roughly. Warmth raced over her and between her legs came the throb of want. The wetness of desire.

She lied to herself that it wasn’t love and brought her hand to the middle of his back, stroked the muscles there as he continued to pleasure her with his mouth, not touching her anywhere else. The problem was, she needed more of him. She always needed more even if she refused to give a name to that desire. Even as she wondered if it was a result of some vampire head game, much as Foley had suggested.

Ask me to touch you, he told her.

Why?

His demanding reply came swiftly. It echoed her earlier wish and erased her doubt about the why of it. Because I need you to want me as much as I want you.

“Dios, Ryder. I need you,” she husked and loosed the bonds of his restraint. Of her own.

With a groan he brought his hand to the middle of her belly, caressed her skin. Slowly, way too slowly, he lowered his hand until it rested on top of the nest of curls between her legs. She pressed her hips up, urging him on. He paused, gazed up at her as he breached the edge of her panties, and then unerringly found her center.

She jumped as his thumb pressed against her and closed her eyes as he eased one finger inside.

Open your eyes. I want to see your hunger.

She slowly dragged them open, locked her gaze with his as he moved another finger within, imitating the act of love while he pressed against the nub between her legs, starting a quickening inside her.

Diana gasped and raised her hips up as he brought her closer and closer to the edge. She grabbed hold of his shoulders, held onto him as her body trembled.

Beneath his fingers, Ryder experienced the pull of her. The scent of her arousal perfumed the air, so strong that it brought forth the heat that signaled that the vampire within wanted a taste too. It was always a struggle to keep the vampire restrained around her. To let the human make love to her. He had lost that battle last time, his defenses breached by her begging him to loose the beast.

He wouldn’t allow it to happen tonight. He knew he had to show her his human side, his mortal love so that if the animal came . . . she might not hate him or herself as much for surrendering to the demon.

He shifted lower, dropping a trail of kisses along her body. She opened her legs, knowing his intent and welcoming it. He slipped between her legs, brought his mouth to the sensitive nub.

Her hips arched up off the bed in acceptance.

Ryder kissed the center of her as with his fingers he continued to stroke. Her wetness — slick against his hand — and the smell of her . . . the heat . . . He groaned and she held his head to her.

He lost the battle.

The change surged over him, but even as it did so, he continued to kiss and suckle, replaced his hand with his tongue and mouth until her body arched into a tight bow. He bit the nub gently, but then paused, struggling to contain the vampire.

It was almost all too much. The animal smell of their sexual musk. Her racing pulse reverberating in his ears. Her nether lips, wet and flush with blood. The demon imagined feeding there, at her most private of places.

He gasped at the roiling passion making his loins ache at the thought of taking her there, and looked up at her with his vampire face. Fangs exposed. Eyes glowing. Skin flushed and warm.

Diana stared at him. His arms were braced at her sides, shaking. Shoulders heaving from the force of his breaths. His rough, harsh pants reminded her of a lion at a zoo, caged. The human in him was barely keeping the animal behind bars.

In her mind, suddenly, the picture came as clearly as HDTV. Her own breathing. Sharp little pants. His teeth, sinking into her swollen flesh. Blood, rich with life. Passion. Flowing through both of them. Charging them. Her strangled cry of pain followed by pleasure that robbed her of herself.

Her lips throbbed and she gasped at the thought of his bite there. Nearly climaxed from the images the vampire wanted her to see. Wanted her to desire so it could do as it wished. So it could control her much as Foley had warned.

She shook away those thoughts and with years of skill and strength, reversed their positions, shoving him hard onto the mattress. His arms pinned above him. His hips trapped by hers. Erection brushing her lips.

She drove down onto him, fucking him before he could continue fucking with her mind. With her heart. Riding him, quickly at first to slake the burn, but gradually slowing. Becoming more tender to draw out the human. To make him Ryder again and not the beast.

As she locked her gaze with his, moved on him, the demon slowly fled. Ryder’s eyes became their intense dark brown once more, losing their demony glow. His fangs remained however, as if he couldn’t muster the last little bit of command necessary.

She released her hold on his one wrist and reached down, traced his mouth and the edges of his sharp pointy teeth with her thumb.

“I won’t bite again,” Ryder promised, growing fearful she would suddenly decide to leave him. To run away and take with it the one thing which grounded him — her love.

A little furrow appeared across her forehead and her gaze skittered across his face. She continued to touch him with her hand, but long minutes passed before she finally answered, “I know.”

Her trust in him brought a delight so intense, he had to close his eyes and take a deep, shuddering breath to finally rein in the demon. Without waiting for more, he flexed his hips and shifted upward, building the passion. Bringing her closer and closer to the edge.

Diana studied the myriad of emotions cross his face — one that was neither human nor vampire. Watched as his passion rose and the human reappeared. At that her own desire rebounded until the tension inside her grew so intense, she had to stop for a moment. Her body trembled. Her breath was ragged with the length of him, impaling her.

“Diana?” His voice had a thread of fear along with something indefinable. Something she didn’t want to consider. She just wanted release. Freedom.

Riding him, friction creating the increased heat of body against body, she deepened his penetration and finally took them both over the edge.

She followed his shout of release, with the satisfied growl of the animal, with her own cry of completion.

Tex-Mex Dip

It’s holiday time and if you’re having a party or going to one and need something fun and tasty to make, this is the dip for you!

The recipe for the Tex-Mex dip was first given to me by the wife of one of my husband’s professors at Columbia.  Since then I’ve played with it, made some changes and it is a favorite with all my friends and neighbors.  I always make a double batch because I know that it will go very quickly.  Serve the Tex-Mex dip with tortilla chips for dipping.  I love it on top of my hamburger – it makes it a great Tex-Mex burger!

Sour Cream Topping
(This is enough for a double batch.  Use only half for a single batch and put the excess into a bowl for people to use as dip)
1 pint sour cream
½ cup Mayonnaise
1 envelope taco seasoning mix

Mix all of the above and let sit for at least half an hour.

You will need the following ingredients.  After chopping and grating, you will layer them as noted below.  A flat dish is best so that your guests will be able to dip more easily.  If you like guacamole, you can add it as another layer right after the bean layer.

Ingredients:

2 medium tomatoes – finely chopped. Let them drain in a sieve to get rid of their juice.  It will keep the dip from getting watery.
1 8 oz. Can of pimentos – finely chopped
2 scallions – finely chopped
1 16 oz can of refried beans – Try to use the fat free and if you like it spicy, use the spicy refried beans from Old El Paso
1 16 oz. Can black pitted olives – finely chopped
4  oz sharp cheddar cheese – grated
4 oz Monterey jack cheese with jalapenos – grated

How to layer:

Place refried beans on the flat dish – spread them out to form the base.
Pimentos
Scallions
Place half of the sour cream topping if you are doing a single batch
Tomatoes
Black olives
Combine grated cheddar and montery jack – spread all around to hide what is underneath this layer.  If you have a gadget known as a Supershooter, place chunks of both cheeses in the feed tube and just grate it right onto the black olives.

If you like things spicier:  Add a few drops of tabasco sauce in the sour cream topping.  Substitute monterey pepper jack cheese for the regular monterey jack cheese.   Also add some jalapenos in the same layer as the pimentos

Winner of the Thanksgiving Surprise!

Teresa Ryan is the winner of the Thanksgiving Surprise contest that I ran with fellow Nocturne author Lisa Renee Jones.

Here’s the winning answers to the two questions:

What is the name of the FBI Agent in Caridad’s DEATH CALLS? Diana Reyes
DEATH CALLS

What are the titles for Lisa’s next two releases? Alluring Tales an anthology in March 2007 and Hurt So Good an anthology in April 2007.

Thanks to everyone for entering our impromptu contest and look for more in the coming year!

Fashion Friday First!

Samantha's Name is Fashion! Samantha Scordato here. To give you the latest fashion tips a girl can provide. Before I do go into the yays and nays of fashion I decided to give you a little about me first. I am 17, yes Caridad is my mom and I am in love with writing as much as she is. I have journals beyond journals filled with stories and other ideas. It lets me express myself. But fashion, for some reason, has become my passion.

I have to say Mary-Kate and Ashley were the ladies who inspired it but Betsey Johnson was the woman who kept me going. She is the Fashion Idol of my life, besides this one girl in my school who has the sweetest fashion in the entire world (sweet means cool. Just in case you were wondering). I have recently been accepted to Marymount University in Virginia, and am waiting for a letter from Philadelphia University. If you are wondering “why not FIT?” the reason is simple. If I decide that maybe fashion is not what I see myself doing in the future then I would have no other options at FIT. I am not dissing FIT, far from it. I went there for summer sources and it was the best. I learned a lot of cool things, but I would need to transfer and that would be a whole sticky mess and I didn’t want to go through that. So I am going to a liberal arts college where if fashion is not my passion I can go into something else. Like writing!

Okay so obviously winter is coming up and boots are a big fashion statement for the season. I love boots. Absolutely love ‘em. High boots, low boots, heels, flats. Boots rock.

I work at Bakers, the shoe store, and well I have seen a lot of boots. Grey leather. NAY! Black on the other hand, YAY! I love heels on boots. Sure not the best for shoveling snow, but they look damn good. I have to admit I am not a fan of the flat boots, but some people can wear them and even I have to stop and say “wow. I like those!”

Advice: If you get heels no matter what kind, boot or dressy, BUY NON-SLIPS. Look for a Bakers near you. The non-slips are $2.00 at Bakers. They go on the bottom of a shoe to give the shoe some traction. They save lives I tell you. Haha.

So that is my first fashion tip for all you people out there. If you have any questions about anything, Clothes, shoes, accessories… please leave a comment here! I hope I can help.

Special Holiday Contest!

To celebrate the release of DEATH CALLS from Silhouette Nocturne this month and the upcoming holidays, I’m having a special contest.

As part of this special Holiday Celebration, I will be giving away 2 Mini Garden Ornaments from Victoria’s Secret! Decorate your tree and treat yourself to a little indulgence. Mini bag with chain includes Skin-Silkening Body Lotion and Luxurious Shower Gel, 1 oz. each.

Also, join my loop and be eligible for my regular monthly contest where you can win a THE CALLING T-shirt, an autographed copy of an earlier release and other goodies from Caridad!

To enter the contest, just send a blank e-mail to CaridadPineiro-subscribe@yahoogroups.com

The Hero’s Journey Part 2

As I previously mentioned, our Hero may be reluctant about leaving the Ordinary World and answering the Call of Adventure. A mentor may be provide moral support to the Hero and give her the necessary impetus to finally answer the call which leads us to the next step in the Hero’s Journey:

Crossing the First Threshold:

  • Hero agrees to face the challenge of problem posed in the Call to Adventure
  • Crossing into the Special World is an act of will
  • Often illustrated by showing the hero crossing a physical barriers, i.e. door, bridge.
  • Crossing the Threshold is generally the turning point in which the adventure actually begins. It’s when the hero has overcome her basic fears and reluctance and decided to proceed on the journey. For example, think of the very funny fight scene in Miss Congenialty. We’ve seen Sandra Bullock’s character in her Ordinary World — that of a rather unkempt and unappreciated female FBI Agent. When presented with the opportunity to go undercover, she balks at the prospect. She is goaded by Benjamin Bratt’s character who serves in part as a Mentor (Bratt plays a shapeshifter, actually, but more on that later). During the fight scene, Bullock finally accepts the Call to Adventure and agrees to go undercover. She crosses the threshold and begins the journey.

    So what happens along this journey? Miss Congeniality follows the Hero’s Journey with the next few scenes which develop. How? Bullock’s character finds:

    Tests, Allies and Enemies:

  • Hero is presented with challenges and tests
  • Makes allies and enemies
  • These tests show us the hero’s character as she and her companions respond to the tests
  • Tests prepare the Hero for greater ordeals ahead
  • This is our first view of the Special World which should be very different from the Ordinary World the hero has just left
  • “Getting to know you” scenes common at this point
  • Think about all the people Miss Congeniality now meets. People who prepare her for the Adventure (a true mentor in the Michael Caine character), put up barriers, become her allies and/or show their colors as enemies.

    The section of the journey during “Tests, Allies and Enemies” will show us how the hero responds to others around them and by doing so, will help us develop the hero’s character. Each encounter with an ally or enemy and each test will demonstrate either something good or bad about her. Is she loyal? Is she compassionate? Is she bitchy or nice? Think of Miss Congeniality and each encounter with one of the beauty queens or as she prepares for each of the events during the pageant. Each test and encounter demonstrates something about her character.

    Now that we know more about our character (and in reality, the character knows more about herself), we need to take that knowledge and have the hero:

    Approach the Inmost Cave:

  • Hero confronts and prepares for achieving her goal
  • May suffer setbacks or reversals of fortune
  • The hero now understands what is the purpose of the journey and prepares to reach that ultimate goal (for example, finding out who has threatened the pagaent). Even though the hero understands the goal, the challenges and tests are not yet over. In fact, the hero may find that while she has taken 3 steps forward, she is now forced to take two back. Think of the information that Miss Congeniality has gleaned from the beauty queens and how none of the FBI agents believe her because they think the Bomber has been caught. She has acheived the goal of finding all the information she needed, but her investigation is set back by the arrival of her director and his news.

    What does a hero do in this situation? The hero must now face the Supreme Ordeal.

    ***End Part Two***

    The next three steps in the Hero’s Journey are:
    The Supreme Ordeal
    Reward (Seizing the Sword)
    The Road Back

    Copyright 2006 Caridad Pineiro Scordato

    Creating a Compelling Plot by Using the Mythic Hero’s Journey – Part 1

    Gods and GoddessesI was introduced to the concept of the Hero’s Journey by a wonderful book editor, Lesley Kellas Payne. She was kind enough to help me when I first started writing and her lessons proved invaluable. One of the first things she stressed was using the Hero’s Journey to help create a compelling plot.

    Joseph Campbell noted in his seminal work, The Hero with a Thousand Faces that there were certain story elements that defied cultural boundaries and were universally accepted. The Hero’s Journey arose as a result of this analysis by Campbell and subsequent works by others. Another good discussion of the Hero’s Journey is by Christopher Vogler and I highly recommend Vogler’s The Writer’s Journey.

    How do I use the Hero’s Journey to write my story?

    The Hero’s Journey will help you identify the different story elements to include in your novel and the most logical order in which they should appear. Of course, there is nothing which dictates that you must begin in this order, but whenever I am struggling with a book, I find that it’s because I’ve deviated from what I consider the most important story element in the Hero’s Journey — The Ordinary World.

    What is ‘the Ordinary World’?

    The Ordinary world:

  • Shows the hero in her customary element.
  • Sets the tone and suggests the dramatic question of the story
  • Make the Ordinary World as different as possible from the Special World
  • Why is the Ordinary World so important? Because it sets the stage for what is “normal” for your characters and your job as a writer is to shake up that “normal” and get them started on their journey.

    For example, in DARKNESS CALLS, Diana is all caught up in being a hard-nosed FBI Agent and Ryder is all brooding immortal. I show them in their regular worlds — Diana investigating a case and Ryder catwalks of The Lair — to demonstrate what their lives are like now before we begin their adventure.

    The Call to Adventure

    The Ordinary World tells the reader what is the status quo for your hero/heroine. Now it’s time to layout the details of the challenges the adventure will bring them. What does this do? It:

  • Establishes the stakes of the game
  • Makes the hero’s goal clear
  • Hero is presented with a challenge or adventure to undertake and cannot remain in her Ordinary World
  • For example, in DEATH CALLS (December 2006), we once again meet with Ryder and Diana after they have been involved for two years. The stakes of the game are whether the two will continue to be lovers. Their goals? For Diana, to decide whether to have a normal life or stay with Ryder. For Ryder, whether he will let death claim Diana when it is her time. What is their challenge/adventure? They must move forward emotionally and decide what to do and the adventure that will challenge them to do this is Diana’s investigation of her best friend’s murder.

    What happens if the Hero Refuses the Call to the Adventure?

    It’s not uncommon that the hero/heroine may refuse to move from the Ordinary World and begin their adventure. The hero/heroine is acting the way we all might when confronted with having to do something different. The hero/heroine is refusing to begin the journey because they are fearful of where it will lead. Because of this, the hero/heroine may require the assistance of a Mentor.

    What is a Mentor?

    The Mentor is one of the most important themes in mythology. It stands for the bond between parent and child, teacher and student, god and man. Think Obi Wan and Yoda as the classic mentors. Meeting with the Mentor provides the hero knowledge, confidence, etc. to undertake the Journey. A Mentor doesn’t necessarily need to be kindly. Think of Lou Gossett’s role as the drill sergeant in Officer and a Gentleman. The drill sergeant is a harsh mentor, but goads Zach Mayo into undertaking the journey.

    In fact, if you want to see how the Hero’s Journey works, two great movies to watch are Star Wars and Officer and a Gentleman since they both follow the Hero’s Journey in exactly the order I will be laying out in this discussion.

    ****Coming soon****

    The next three steps in the Hero’s Journey:

  • Crossing the First Threshold
  • Tests, Allies and Enemies
  • Approach to the Inmost Cave
  • Copyright 2006 Caridad Pineiro Scordato